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Crossref Citations

1. Aesthetic distance as deus ex machina when the performer’s trauma is (not quite/quiet)
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South African Theatre Journal  vol: 35  issue: 3  first page: 179  year: 2022  
doi: 10.1080/10137548.2023.2241463

2. The use of the concept of imbokotho in the study of selected isiXhosa poetry
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3. Abuse, power and discourse in the public trial of Timothy Omotoso
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doi: 10.4102/ve.v43i1.2270