Original Research - Special Collection: Yolanda Dreyer Festschrift

Film as medium for meaning making: A practical theological reflection

Anita L. Cloete
HTS Teologiese Studies / Theological Studies | Vol 73, No 4 | a4753 | DOI: https://doi.org/10.4102/hts.v73i4.4753 | © 2017 Anita L. Cloete | This work is licensed under CC Attribution 4.0
Submitted: 01 August 2017 | Published: 29 September 2017

About the author(s)

Anita L. Cloete, Faculty of Theology, Stellenbosch University, South Africa

Abstract

The reflection on film will be situated within the framework of popular culture and livedreligion as recognised themes within the discipline of practical theology. It is argued that theperspective of viewers is of importance within the process of meaning-making. By focusing onthe experience and meaning-making through the act of film-watching the emphasis is not somuch on the message that the producer wishes to convey but rather on the experience that iscreated within the viewer. Experience is not viewed as only emotional, but rather that, at least,both the cognitive and emotional are key in the act of watching a film. It is therefore arguedthat this experience that is seldom reflected on by viewers could serve as a fruitful platform formeaning-making by the viewer. In a context where there seems to be a decline in institutionalisedforms of religion, it is important to investigate emerging forms of religion. Furthermore, theturn to the self also makes people’s experiences and practices in everyday life valuableresources for theological reflection. This reflection could provide a theoretical framework forespecially empirical research on how film as specific form of media serves as a religiousresource and plays a role in the construction of meaning and religious identity.

Keywords

Film; popular culture; lived religion; practical theology; religion

Metrics

Total abstract views: 6025
Total article views: 6521

 

Crossref Citations

1. The visual storytelling of marginal black identities in While You Weren’t Looking and Inxeba (The Wound)
Lwando Majikijela
Canadian Journal of African Studies / Revue canadienne des études africaines  vol: 59  issue: 3  first page: 553  year: 2025  
doi: 10.1080/00083968.2025.2487160

2. Faith in frames: unveiling therapeutic narratives in religion-related cinema through computational analysis
Bai Xue, Zhongrui Wang, Yuqing Liu, Yao Song
Frontiers in Public Health  vol: 12  year: 2024  
doi: 10.3389/fpubh.2024.1385379

3. Changing/Unchanging Realities: Mapping Experiences of Same‐Sex Love vis‐à‐vis Section 377 Indian Penal Code Through Hostel Room 131 (2010) and Badhaai Do (2022)
Nikita Mittal, Ajit K. Mishra
Sexuality, Gender & Policy  vol: 8  issue: 2  year: 2025  
doi: 10.1002/sgp2.70004

4. Ridicule, deconstruction, reflection, and identity: Christian elements and thematic expression in Feng Xiaogang’s films
Qiang Zhou, Muhammad Yaqoub
Humanities and Social Sciences Communications  vol: 12  issue: 1  year: 2025  
doi: 10.1057/s41599-025-05438-y

5. Patriarchal Culture in Film: Between Myth and Meaning (Audience Reception Analysis of The Film“Yuni”)
Rizki Ayu Budipratiwi, Rachma Tri Widuri, Ayoedia Gita Citrayomie
KOMUNIKA: Jurnal Dakwah dan Komunikasi  vol: 17  issue: 2  first page: 243  year: 2023  
doi: 10.24090/komunika.v17i2.7564

6. Knowledge Born through (In)Justice: Gender Testing, Imposed Humiliation, and Epistemic Interventions in the Indian Hindi Film Rashmi Rocket
Goutam Karmakar, Payel Pal
Quarterly Review of Film and Video  first page: 1  year: 2023  
doi: 10.1080/10509208.2023.2296368