The ( poetic ) rhetoric of wisdom in Proverbs 3 : 1-12 1 J H Potgieter

Proverbs 3:1-12 is a masterful example of Hebrew poetry. Failure to consider its poetic structure, is likely to result in incomplete and even incorrect interpretation. Many recent commentaries on Proverbs recognize the poetic character of the book, and even include a section on the poetic techniques present in the book, but ignore the relevance of these techniques as far as the interpretation of the individual poems and the book in general are concerned. This article argues that a comprehensive analysis of poetic features enhances the exegete’s ability to appreciate the rhetoric of wisdom. An intratextual approach towards Proverbs 3:1-12 provides a framework for the complete interpretation of the text.


INTRODUCTION
Proverbs 3:1-12 is a masterful example of Hebrew poetry.Far too little attention has been paid in scholarly discussion to its "highly poetic structure" (Nel 1982:59).Without recognition of this phenomenon "any attempted interpretation is in jeopardy" (Nel 1982:59).It is thus quite permissible to analyse and enjoy the poem for its own sake.
Failure to do this will probably result in incomplete and even incorrect interpretation.
It is quite remarkable that many recent commentaries on Proverbs recognise the poetic character of the book, even include a section on the poetic techniques present in the book, but then blatantly ignore the relevance of these techniques for the interpretation of the individual poems and the book in general.The most recent commentary on the book (Fuhs 2001) is an excellent example of this general lack of interest in the (poetic) rhetoric of wisdom.Fuhs includes a section on Redeformen und Stilfiguren (Fuhs 2001:15) in the introduction to his commentary.But when he discusses Proverbs 3:1-12 he only mentions a (rather vague!) chiastic relationship between 3:1 and 11 (2001:35), the antithetic parallelism between 3:5a and b and the chiastic relationship between 5ab and 7ab (2001:36).
Failure to analyse and appreciate the significance 2 of the "highly poetic structure" of Proverbs 3:1-12 invariably leads to misinterpretation.The deliberate juxtaposition of Proverbs 3:8-9 and 11-12 and the paradox created by this technique (cf the discussion in Section C of the paper) is not often recognised in commentaries.Thus Fox (2000:141-142) demarcates the poem into three sections, namely 3:1-4 (Keeping my teachings in mind); 3:5-10 (Piety) and 3:11-12 (Suffering as discipline).Whybray (1994:64) goes even further and regards 3:11-12 as a later addition.
The hypothesis in this paper is that a comprehensive analysis of poetic features will enhance the exegete's ability to appreciate the rhetoric of wisdom.An intratextual approach towards Proverbs 3:1-12 will provide a framework for the complete interpretation of the text. 3The purpose of this article is to provide such a framework.No attention will be paid to the interpretational problems of the book of Proverbs, particularly the problems involved in analysing Proverbs 1-9.These issues will be dealt with in the next article (cf Prinsloo 2002).

TEXT AND TRANSLATION
I A 1 1a My son, do not forget my teaching, b but my commands your heart must keep, 2 2a for length of days and years of life b and peace they will add for you.
2 Watson (1986:2) points out the importance of analysing all the various levels of a poetic text.He states: "Only when a complete examination of each poetic device with respect to occurrence, types, functions, relationship to other devices and to the various literary forms is available will a full description of classical Hebrew poetry be possible".What is said here about classical Hebrew poetry in general is also applicable to each individual poem. 4Many exegetes regard 3a as a gloss.According to them the 3 masculine plural suffixes in 3bc refer back to in 1a and in 1b.3abc is the only tricolon in the poem and is consequently regarded with skepticism (Whybray 1994:61).It is noteworthy that the LXX manuscripts Vaticanus and Sinaiticus omit 3c (Alexandrinus retains it; cf Plöger 1984:32).Some retains 3a but omits 3c (Clifford 1999:50).There are, however, no sound textcritical reasons for the omission of 3a or any necessity to follow Vaticanus and Sinaiticus in omitting 3c (cf Plöger 1984:32). 5The imperative is used here in logical dependence upon the two preceding imperatives and indicates "the distinct assurance or promise that an action or state will ensue as the certain consequence of a previous action" (Cowley [1910] 1976:325 = GesK § 110f; cf also Tuinstra 1996:93). 6The interpretation of is problematic.The Hebrew word occurs only here and in Song of Songs 7:3 with the meaning "navel" and Ezekiel 16:4 with the meaning "navel-string".Following the LXX's (cf also the Peshitta) many exegetes propose that the text should be emended to or "to your flesh/body".McKane (1970:293) relates the Hebrew word to the Aramaic šrrt "strength, good health, prosperity" and proposes that the 8a should be translated "It is a tonic for your health".Fuhs (2001:36) indicates the metaphorical value of the Masoretic text.The navel recalls the "Grundversorgung des Embryos im Mutterlieb" (cf also Plöger 1984:32;Tuinstra 1996:95).
8 Some exegetes presuppose that "plenty" here means "grain" as in a Phoenician inscription from the eighth century BC and that it is parallel to in 10b (Clifford 1999:50).The Masoretic text is clear and the normal interpretation of can be retained.

STRUCTURE AND POETIC FEATURES
The general demarcation of the individual sections of the poem can easily be determined.
Each strophe follows the same general pattern of instruction followed by either the result of obedience or the reason for giving that particular command(s).Six strophes can be demarcated by applying this general pattern of command (imperative) followed by result [11][12]).Each strophe consists of two lines each.Only at the beginning of Strophe B (verse 3abc) a tricolon can be demarcated.All the other lines are bicola.
Within this general pattern there are quite interesting variations when the six strophes are studied in more detail.The instruction or imperative can be either negative or positive.Two or three imperatives occur in each strophe.The result or reason contains one, two or three terms.In the table below the emphasis falls upon the verbal forms: From the table the following can be deduced: your own understanding do not lean" in 5b and "do not be wise in your own eyes" in 7a).Two of the three positive commands suggest "reliance upon Yahweh" ("trust the the Lord" in 5a and "fear the Lord" in 7b).These two strophes are semantically parallel.The third command ("shun evil" in 7b) falls in the semantic category of "distance" mentioned in Strophes A-B, linking the four strophes on this level.
The positive command in Strophe E ("honour" in 9a) and the two negative commands in Strophe F ("don"t despise" in 11a and "do not resent" in 11b) emphasise the positive and negative side of the same semantic field, namely "honouring someone or something".It links the two strophes.It is a worthwhile exercise to also tabulate the qualifications added to the imperatives, motivations and result clauses by means of explicit subjects, objects and prepositional phrases:

These observations already indicate that
On this level links are created between the various strophes by means of the following: The vocative in 1a and 11a again creates a link between Strophes A and F and suggests an inclusio.There is also a suggestion of a chiastic relationship between (1a) and (11b) on the one hand and (1b) and (11a) on the other hand (Fuhs 2001:35).
Parts of the body are mentioned in Strophes A-D, linking the four strophes together.
Especially noteworthy is the occurrence of in Strophes A-C (1b, 3c, 5a).These general observations are enhanced by an analysis of poetic stratagems on the level of sounds, patterns and semantics.
As far as sounds are concerned, alliteration and assonance can be detected in virtually every colon.What is significant, however, is the repetition of i and ay (1 singular suffixes) in 1ab and 11a as well as the repetition of ch/cha (2 masculine singular suffixes) in 2b-10b.This strengthens the suggestion of inclusio already referred to.
As far as patterns are concered, reference has already been made to various forms of repetition in the poem.The following should also be noted:  Parallelisms occur in the following cases.It is given in tabular form with notes on specific techniques within each parallelism: External synonymous parallelism.Note the contrast between the negative command in 1a and the positive command in 1b as well as the delesion of (1a) in 1b and the addition of (1b) as a ballast variant.3b 3c External synonymous parallelism.7b Internal antithetical parallelism.To fear Yahweh implies to turn away from evil.8a 8b External synonymous parallelism.Note the delesion of the verb in 8b.9a 9b External synonymous parallelism.Note the delesion of the phrase (9a) in 9b and the addition of (9b) as a ballast variant.
The main purpose of the parallelisms is to bind the cola together and enhance the theme of the relevant strophes.
 A broader parallelistic structure exists between Strophes A (1-2) and B (3-4).It can be schematised as follows: This structure binds the two strophes closely together.
 Chiasms occur in the following cases: 2a 2a Internal chiasm.'Length' and 'life' correspond as do 'days' and 'years'.3a 3b 3c External chiasm.The word-pair 'love and faithfulness' (3a) is picked up in the 3 masculine plural suffixes in 3b and c.The negative imperative at the end of 3a is antithetically related to the two positive commands at the beginning if 3b and c. 5a 5b External chiasm.Note the antithesis between 'trust' (5a) and 'do not lean' (5b) and 'in the Lord' (5a) and 'on your own understanding' (5b).10a 10b External chiasm.'Your barns' (10a) corresponds to 'the wine of yout vats' (10b) and 'they will be filled' (10a) to 'they will brim over' (10b).
is used adverbially and functions as a ballast variant.11a 11b External chiasm.'The Lord's discipline' (11a) corresponds to 'his rebuke' in 11b and 'don't despise' (11a) to 'do not resent' (11b).Note the occurrence of in 11a as a ballast variant.
These chiasms bind the relevant cola closely together, enhance the antitheses in the poem and emphasise the themes of the strophes. Enjambment occurs in 2ab and 4ab, linking the cola closely together.
On semantic level the following should be noted:  Metaphorical language is present in 3bc and 6b.In 3bc the internalisation of the father's teaching (1ab) that should find expression in a relationship of "love and faithfulness" towards God and man (3a) is metaphorically expressed as a "binding around the neck" (3b) and a "writing upon the tablet of the heart" (3c).3b metaphorically refers to the external realisation of in relationships and 3c to its internalisation, making it a way of living, a part of the son's being.In 6b Yahweh's constant guidance of those who live in a relationship with him, is described as making straight "your paths".It implies companionship, guidance and assistance in difficult situations.
 Comparison is present in 12b.Yahweh's discipline is likened to a father's discipline of the son he delights in.In this manner a very subtle equition takes place between the teaching of the father (1ab) and the teaching of Yahweh (11ab).
It again emphasises the suggestion of inclusio already referred to.
 Pars pro toto is present in all the references to parts of the body (1b, 3b, 3c, 4b, 5a, 8a and 8b).In all instances the part of the body represents the whole person.
 Antithesis is present at the beginning of Strophes A-D.It is presented by means of the interplay between positive and negative commands in each strophe.However, an antithesis exists between Strophes E and F in the sense that Strophe E contains a positive and Strophe F two negative commands.It suggests a paradoxical relationship between the two strophes.It suggests that Strophes E-F should be regarded as the culminating point of the poem.This observation will be confirmed when the two strophes are analised on semantic level.
 Merism is present in the expression "in the eyes of God and man" in 4b.It implies that an obedient son's good reputation (4a) will be recognised everywhere (Whybray 1994:61).
The exquisite links created by the poet's masterful application of poetic techniques only become apparent via a careful analysis of all language levels.When all evidence is taken into account, the poem can be divided into three interrelated stanzas of two strophes each.
The structure of the poem can be schematised as follows10 :

9-10
Acknowledge the Lord's blessing and be blessed even more!11-12 Hardship is a blessing too!

CONTENT AND MESSAGE
Proverbs 3:1-12 is a unique piece of literature in the context of Proverbs 1-9.It is the only poem in the corpus that has an explicit religious content.The subject matter of the poem is a relationship with Yahweh.In a certain sense the poem makes explicit what is implied in Proverbs 1:7 -that real "wisdom" can never be achieved without an actual (covenantal!)relationship with Yahweh.A life worth living, an honourable and fruitful life, is only possible when Yahweh receives due recognition as the ultimate source of all blessings.This message is transmitted subtly and skillfully by the poet of Proverbs 3:1-12.

STANZA I -INTRODUCTION: A way of life (3:1-4)
The poem is introduced by a general exhortation put in the mouth of a wise father to an eager to be educated son.The content of the exhortation is to follow in the footsteps of the wise father, to enter into a specific mode of existence, a way of life that has been proven to provide success and prosperity.The father is portrayed as a Moses-like figure giving teaching and commands that should be taken to heart, memorised and applied (Snijders 1984:36).This general exhortation is explicated in two ways: In Strophe A (3:1-2) the son is called upon not to forget (a willful, deliberate act of neglect, cf Fox 2000:142) the father's teaching ( in 1a) but to make the father's commands ( ) part of his being, his thoughts, his will, his life ( in 1b) 11 .Such a way of living will have postive results.There is a good reason for living in this mannerit provides life in the true sense of the word (2ab) -"length of days and years of life … they will add for you".The chiastic relationship between the expressions and emphasises the positive result of obedience and should not be interpreted as qualitatively different from each other (Whybray 1994:60).A long life (2a) per se is no real blessing (Perdue 2000:97), but a long life coupled with "peace, well-being" (2b)that is real living (cf also 4:10)!
This covenant term emphasises that teaching should also become doing, commands should become practise.refers to the solidarity between members of a family, between friends or the partners in a covenant.refers to trustworthiness and truth (Snijders 1984:37).Love and faithfulness should be the son's characteristic attitude in his relationship with God and fellow human beings (Whybray 1994:61;Perdue 2000:96).
The metaphors of bounding them around the neck (3b) and writing them on the tablet of the heart (3c) is well known in Jewish tradition (cf Deut 6:6-7 and Jer 31:33) and emphasise the outward and inward aspects of love and faithfulness (Snijders 1984:37;Fox 2000:147).It becomes apparent like an ornament around the neck in the son's attitude towards others.But the real motivating principle is the internalisation of love and faithfulness, allowing it to become part of his personality, his innermost being.Such a way of life also brings benefitsa positive reputation in the eyes of God and man (4ab).This merism implies "everybody" (Whybray 1994:61).

STANZA II -APPLICATION: A relationship with God (3:5-8)
The general introduction of Stanza I finds specific application in Stanza II.The focus now shifts towards the son's relationship with Yahweh.What comes into the spotlight is the son's proper attitude towards Yahweh (Whybray 1994:62).
In Strophe C (3:5-6) the son is called upon to trust only in the Lord (5a) and acknowledge him in all his ways (6a).The verb here implies complete obedience to Yahweh's will (Whybray 1994:62).In direct contrast to this attitude is the exhortation not to put any trust in his own understanding (5b).The way of life mentioned in Stanza I now gets a new perspective.A fruitful way of living is to refrain from hubris, from relying upon one's own abilities (cf 26:5, 12, 16; 28:11).Then you can also rely upon Yahweh's guidance (6b).The metaphor of making straight the paths implies Yahweh's constant presence and protection (Snijders 1984:37;Whybray 1994:63).Trust in Yahweh brings with it the promise of his companionship and support (cf Isa 40:3; 45:13).
But even more is promised.
Strophe D (3:7-8) points out that a relationhip with Yahweh brings lifelong blessing.The strophe commences with the negative exhortation not to be wise in one's own eyes (7a).A really wise man knows the boundaries of his own abilities and insights.
Only someone who fears the Lord (7b) can be wise.To "fear" the Lord implies a close relationship with him, obedience to him, respect for him.Such a person naturally shuns evil (7b) as he moves closer and closer to Yahweh.This way of living also bears fruitit brings health and refreshment to the whole person (8ab;cf Whybray 1994:63).
This promise refers to the lifelong blessing inherent in a relationship with Yahweh.It picks up the theme of in Strophe A (2b).A long life means nothing if you are sick and weak, detrimentally influenced by negative spiritual powers (cf Prov 15:30;16:24;17:22;25:15;cf Snijders 1984:38).In order to experience real you also need health and vitality.

STANZA III -REALISATION: Accept blessing AND discipline as a gift
The poem reaches a climax in Stanza III.The term "realisation" has been chosen as an intentional pun, indicating both "materialisation" and "awareness".
On the one hand the realisation of the promise of Stanza II is quite real and materialistic.It is emphasised in Strophe E (3:9-10).A life in relationship with Yahweh implies the abandonment of self-reliance and hubris.It in turn implies that all material blessings come from Yahweh (Plöger 1984:35).His graciousness should be acknowledged publically and openly.This is demonstrated in the public act of worship (Whybray 1994:63).9a clearly states that Yahweh should be "honoured" with material blessings.The of 9b underlines the cultic setting (Perdue 2000:98-99).It refers to the giving of tithes as a symbolic gesture, acknowledging the fact that the real giver of wealth and prosperity is Yahweh and Yahweh alone (cf Ex 23:10; 14:28; Deut 18:4; 26:2; Snijders 1984:38;Perdue 2000:99).Such an attitude carries the inherent blessing of the deity (10ab).By acknowledging him as the giver of wealth, he will reward his faithful servant with even more wealth (Whybray 1994:63).
On the other hand the promise of 10ab leads to a paradoxical (cf Fox 2000:152) realisation in Strophe F (3:11-12) 12 .A relationship with Yahweh does not imply instant and unconditional blessing.This is the only passage in Proverbs which attempts to explain the apparent failure of Yahweh's promises in so many instances (Whybray 1994:64).Yahweh is likened to a father (12b) taking the valuable but sometimes unpleasant task of disciplining the son (cf Prov 19:18;23:13;29:17) quite seriously.
Here the problem of suffering (Snijders 1984:38;Murphy 1998:21) is discussed within 12 Many exegetes fail to appreciate the paradoxical relationship between Strophes E and F. F is then regarded as a later addition and as a reaction against the principle of divine retribution in Strophe E (Whybray 1994:58 and 64).
the context of the promises of rewards in the previous strophes. 13When suffering occurs, it should not be resented (11ab), but accepted as the logical result of Yahweh's discipline.
Discipline is "a necessary feature of the educational process which helps to form the child's character" (Whybray 1994:64).The source of that discipline is love (12a).
Illogical as it may seem, suffering is good for the sufferer (Murphy 1998:21)

GENRE
Nel (1982:7) indicates that genre classification in wisdom literature is often a difficult enterprise.On the one hand, one can follow the route of McKane (1970:3) in formulating genre so widely that in the end he recognises only two genres in the Book of Proverbs, namely the "wisdom sentence" characterised by the indicative and the "Instruction" characterised by the imperative.On the other hand, one can go into so much detail that a bewildering number of genres can be identified.Nel (1982:7) warns that not every variation within a genre can be classified as a new category.It is important to specify the 13 Delkurt (1993:38-41) denies the connotation with suffering.He would rather interpret in Proverbs 3:11-12 as a pedagogical term.He defines it as "Erziehen zu einer Lebensführung, die die Regeln des Miteinanders nicht verletzt" (Delkurt 1993:41).Müller (2000:165), however, refers to the parallel expressions in Psalm 118:18 and Job 5:17-18 where definitely carries undertones of discipline.It will be argued in Section C that the word should be understood against the background of an ancient Mediterranean "authoritarian" society.Then the element of suffering as necessary prerequisite for character building definitely comes into play.HTS 58(4) 2002 essentials of a genre in such a way "as to allow for the greatest possible amount of structural variations" (1982:7).
Departing from these general remarks, Proverbs 3:1-12 is labelled differently by exegetes.Some call it "instruction" (McKane 1970:3).Fox (2000:45) prefers the term "lectures" and regards it as "a father lecturing his son or sons in moral behaviour".Nel (1982:13) calls the longer didactic poems in Proverbs 1-9 "wisdom teaching (Lehrrede)" and looks for the social setting in the "educational situation (school)".They, in turn, are made up of a number of "wisdom admonitions" (Nel 1982:18) which consist of an admonition with a "connected motivative" clause.
Though exegetes differ in terminology, they point to the joint characteristics of the ten "instructions" in Proverbs 1-9.All begin with an introductory exhortation by the father to the son to pay attention to his instruction (cf 3:1-4).Then follows the instruction proper (Perdue 2000:29), characterised by positive and negative commands (cf 3:5-12).
Most of the instructions conclude with a passage referring to the positive results of obedience and/or the negative results of disobedience (cf 3:32-35;Lang 1972:31-34;Perdue 2000:30).

CONCLUSION
The poetic analysis leads to the conclusion that Nel (1982:59) was correct in emphasising the "highly poetic structure" of Proverbs 3:1-12.Even though stating the obvious, he also has not appreciated the value of his remark to its fullest extent.Proverbs 3:1-12 is a work of art.Perdue (2000:32) puts it eloquently: "…the sages uses the art of well-crafted and polished language to render meaning.Artistry and content are inseparable in the sapiental genres".It is the poetic quality of the poem that captured the imagination, moved the audience to reflection on the content, to understand the truth and value of the instruction.That, in the end, motivated the younger generation to change, to grow, to develop insight, to live (Perdue 2000:33)!
The purpose of the (poetic) rhetoric of wisdom in Proverbs 3:1-12 is to promote growth in relationships: in the relationship of the father with the son and with Yahweh which, in the end, amounts to the same thing!But equally importantalso in the relationship of the son with fellow human beings.The son's appropriate attitude towards Love and faithfulness must not leave you: 4 b bind them around your neck, c write them upon the tablet of your heart, 4 4a and you will find 5 favour and high regard b in the eyes of God and man.II C 5 5a Trust in the Lord with all your heart, b and on your own understanding do not lean, 6 6a in all your ways acknowledge him, b and he will make straight your paths.D 7 7a Do not be wise in your own eyes, b fear the Lord and shun evil, 8 8a health it will bring to your body 6 , b and refreshment 7 to your bones.
Strophes E and F fall outside the pattern created in Strophes A-D by the juxtaposition of one negative and one/two positive commands.Strophe E has only one positive command9 .Strophe F has two negative commands.This suggests that while in the first four strophes an antithesis exists within the strophe, Strophes E and F should be antithetically related to each other, with special emphasis on the two negative commands in Strophe F.
Strophes A-B, C-D and E-F can be grouped together as three stanzas.The close links between A and F on the other hand should not be ignored.It provides a sense of closure to the poem.
On the other hand is explicitly mentioned in Strophes C-F, suggesting that the more general commands in Strophes A-B are applied to the child/pupil's relationship with Yahweh in Strophes C-F.These observations also indicate close links between Strophes A-B, C-D and E-F on the one hand and the interrelatedness between all six strophes on the other hand.It confirms that the poet is a master of his art!HTS 58(4) 2002


A broader chiastic pattern exists between Strophes C (5-6) and D (7-8) in terms of the syntactic order of positive and negative commands.It can be schematised as follows: This is indicative of a very close relationship between Strophes C and D.  A very interesting chiastic relationship exists between 1a and 11a.It can be schematised as follows: suggestion of an inclusio between Strophes A and F, thus equalising the teaching of the father and the discipline of Yahweh.The position of the vocative implies that the emphasis in Strophe A falls on "my son" and in Strophe F on "the Lord's discipline".
! It strenghtens his relationship with Yahweh!Fox (2000:153)  remarks: "The author of Prov 3:11-12 … is not rationalizing suffering; he is inculcating the right attitude toward it".In the end the poem displays a very logical semantic structure.In Strophe A the father invites the son into a relationship with him by taking the father's instruction to heart.That relationship implies mutual trust and integrity (Strophe B) that originates in a relationship of trust with Yahweh (Strophe C).Trusting in Yahweh in turn implies giving up any form of self-confidence (Strophe D).Then the son will realise that all blessings come from Yahweh alone and he will honour Yahweh with his wealth (Strophe E).He will allow Yahweh to become his teacher and father, and will accept Yahweh's discipline as necessary for his own personal growth (Strophe F).The poem thus concludes a full circlethe process beginning with the human father reaches its true purpose and zenith when Yahweh becomes the real teacher and father(Clifford 1999:51; Perdue 2000:101).